Showing posts with label preservation. Show all posts
Showing posts with label preservation. Show all posts

Tuesday, February 09, 2016

Don't believe what you read

A few years back, Greenwich Village Society for Historical Preservation, one of the city's preeminent preservationist organizations, drew up a letter boasting the extraordinary historical buildings in the East Village, based on the results of a $13,000 research grant. Prominently mentioned in the letter is this little building, 165 Avenue B:


described as "an 1890 Katz building." Why 1890? Because


See? It says "1890" right there! Impressive research, well worth $13,000, I say. 

Well. Anyone who knows anything about tenements -- which apparently is no one, given that the preeminent authority on preservation doesn't (and this is one of the reasons for this series -- to educate, thank you very much) -- would easily recognize that that little building 165 --


predates the others on the block and was built prior to the 1860's. Compare the 1860's
with the pre 1860's


I've chosen a townhouse because, remember, architectural style does not respect class, only purpose. 

You don't have to rely on the external form, by the way. The internal principles coordinate perfectly with the external ones. Looking at a googlemap overhead, you can see that the original structure was extremely shallow


But what's the thing at the back of the building? And how do you know that that wasn't part of the original building? 

If you've been looking at these overheads for a while, you know a late extension when you see one. It's just a matter of corroborating it. If you've been reading this series, you already have recognized that the shallow rectangle looks just like the oldest of the footprints (that's #1 and #2 below)
So let's look at old real estate maps, now that we know what to look for. You can find these on line at the NYPL, among other sources easily googled. Notice first that a shallow structure had been built at 165 by 1853


at a time when almost the entire block had been developed.


Recall that the city in the 1880's saw a huge increase in immigrant labor spurring a development craze of Old Law 6-story tenements built deep into the lot. By 1897 most of the buildings on this street had been redeveloped into Old Law Tenements, and by 1911 -- ten years past the New Law -- all of them had been with the exception of 165 and the corner lot which, because it could be built over the entire lot and not need a large courtyard carve out of it. You'll notice also that the Old Law tenements are built further out to the street, leaving 165 a little recessed. 

Deeply built Old Laws surrounding 165, and the New Law on the corner by 1911.
In other words, this block was being redeveloped in the tenement boom of the 1880's-90's. 165 was the last remaining pre-law tenement on the block, when in 1901 the New Law cut off all redevelopment for midblock single lots. The corner lot went on to become a New Law Tenement, the landlord buying the lot next door to maximize his rental space. 

165 missed its chance for redevelopment. It's still here today. Preservation of small lots was one of the unintended consequences of the New Law. By 1916, the landlord made the best of a poor lot by extending the rear still complying with the New Law courtyard requirements. 


The coloring, which you can clearly see was done by hand, covers the recess. The recess is represented by the line where the width footage number lies. Now take another look at the googlemap overhead. Can you see the recess?


If not, then look at the front again. The space that the drainpipe occupies is that little recess. 


But wait, wait, wait just a minute! The cornice says "1890," damnit. 

When I gave this talk at the Janina, this old guy -- must have been 90 if he was a day -- in the front with a big smile and a guffaw said, "The cornice is from 1890!" 

Jacob Riis, in his classic How the Other Half Lives, written in 1890 (!) mentions this towards the end of the book. 
The practical question is what to do with the tenement. I watched a Mott Street landlord, the owner of a row of barracks that have made no end of trouble for the health authorities for twenty years, solve that question for himself the other day. His way was to give the wretched pile a coat of paint, and put a gorgeous tin cornice on with the year 1890 in letters a yard long....That was a landlord's way, and will not get us out of the mire.
Replace "Mott Street" with "Avenue B" and you've got the story of 165. Most likely the landlord bought the building that year. His cornice may have persuaded prospective tenants that the building was new, or it may have been a convenient means, along with a small bribe, for the buildings inspector to overlook any violations and record the building as newly built and therefore compliant with the law -- the cornice covered him in case anyone asked.

Apparently $13,000 is not enough to pay for a reading of a classic that is online for free. All the important preservation organizations, btw, signed on to this letter which then went to the city's Landmarks Preservation Commission. If they ever bother to investigate the building for landmark designation, I'm sure they'll be lenient with GVSHP -- after all, anyone can make a mistake. But what will they think about the rest of their claims? At least the mistake was in the right direction. LPC will be pleasantly surprised that the "1890 Katz" building, although neither 1890 nor built by Katz, is in fact one of the oldest tenements in the neighborhood.

This kind of mistake is all too common in the understanding of tenements. The city's documentation doesn't record construction dates prior to around 1910. If you look up the PLUTO (Primary Land Use Tax Lot Output) data or map, you'd think that the entire Lower East Side and East Village were all built in the year 1900. It doesn't take more than a moment's thought to figure out that they haven't transferred the construction data from the Municipal Records into digital form. "1900" is a default indicating "sometime prior to 1900." Why PLUTO doesn't say that explicitly is a matter people should take up with them. A few years ago, they had the grace to add the letters "est" (estimated). But that's yet another misrepresentation (not to say "lie"). They've made no estimate of say, this building was built prior to 1830, compared with another built around the 1880's or 90's. This is a default value, not an estimate. Arrgh.

One last anecdote. I once pointed out to the GVSHP director that 1st Avenue was older than most of the rest of the East Village -- most of the buildings were already standing during the Civil War. He responded that he thought I'd overestimated the age of the buildings. Now you know where he got his information. Not from looking at the buildings.

So: don't believe everything you read, whether it's a city document or a cornice. You need knowledge first before reading, since documents lie for all sorts of reasons. Who wrote the document and for what purpose? What were the tacit assumptions under which the document was made? What were the biases? Knowledge is an integral acquisition through experience of all aspects of human activity. Which leads us to the next piece.

Next up, don't believe historians either. 

Monday, June 01, 2009

Ray's shut down?

Looks like the city has it out for Ray's on Avenue A. DOH has posted a shut-down notice on the window. Apparently they don't like the authentic look of the place and want it cleaned up and yuppified. What a world.

Thursday, April 09, 2009

El Bohio for Open House New York

Friends and neighbors,

El Bohio (formerly P.S.64) has been closed to the public for at least seven years now. In that time it's been landmarked, its terra cotta façade has been defaced and pigeons have moved in where artists, dancers and musicians once entertained audiences.

Open House New York for one weekend opens buildings and landmarks that are normally closed to the public. OHNY is looking for sites of architectural and historical significance to include in its weekend of public access.

I've suggested to OHNY that they ask Gregg Singer, the owner of former P.S.64, to open its doors so the public may once again see it. I doubt Mr. Singer will oblige them, but I believe he should be asked nonetheless.

Would you join me in recommending to Open House New York that the former P.S. 64 (El Bohio) be an Open House site? Let's raise the community voice together.

I think it's time that the public see how much damage has been done to the interior of the building. If Mr. Singer has protected the building from harm, as the landmark law requires, then he will have nothing to hide. If he has something to hide, he will find an excuse not to open the building.

We have a voice. Let's use it. Send a note to
info@ohny.org

For more info, visit their website
http://www.ohny.org/

Saturday, May 24, 2008

LES designated "most endangered" by National Trust

The National Trust for Historic Preservation has designated the Lower East Side as one of the nation's "most endangered historic places." You can read more and see a video here
http://blogs.nationaltrust.org/preservationnation/?p=588

and learn how to help here:
http://www.preservationnation.org/travel-and-sites/sites/northeast-region/lower-east-side.html

Many of us had been wondering why there had been news about LES Historic District proposal since the community board had approved it. Well, now we know. The sponsors of the proposal -- that means primarily the Tenement Museum -- was gathering national support for it. With this National Trust designation in hand, the proposal will be a shoe-in at the city's Landmarks Preservation Commission.

Tuesday, December 25, 2007

Holiday news

Friends and neighbors,

Get ready for more development: Streit's Matzohs is selling its four-lot factory on Rivington Street for $25 million. If the buyer digs his foundation before the new zoning of the LES, he can use the community facility bonus to increase the size by over 40%. Fortunately, it's not in the LES commercial zone, so it won't be another huge hotel. But the site is next-door to ABC No Rio and the block is lined with one architectural gem after another, some of the oldest in the city.

Some holiday presents
As we watch history disappear around us, artists have turned to a mode older than scripture: the lament. Photographers publish their work on blogs with names like Lost New York, Vanishing New York, Lost City:
http://www.lostnewyorkcity.com/
http://lostnewyorkcity.blogspot.com/
http://vanishingnewyork.blogspot.com/

To see the real LES, don't miss the inside, underside photo chronicle
http://neithermorenorless.blogspot.com/

There's a documentary just out too, New York Lost. For a limited time you can view it here:
www.youtube.com/newyorklost
(Well say, is that developer Sion Misrahi waxing poetic about the inevitability of change? He doesn't mention that change means hundreds of millions in profit for him. Could it be that's why contemplating change moves him so profoundly? I know change is a necessary law of the universe, that change is time itself. I didn't know that glass towers, yuppie invasions, banks and chain stores were a law of the universe or that the end of community and neighborhood were universally necessary. Must all change be for the worse? Misrahi, couldn't you find a way of filling your pockets that doesn't entail destroying neighborhood communities, killing their arts, culture, character and history? What happened to the time when "change" meant approaching a better future for all, not just bulldozing the past for one man's profit?)

New Yorkers seem to have given up on all the cherished utopian dreams that motivated movements and held us to a hopeful future that might someday reflect our deepest and most heartfelt aspirations. We've settled for Whole Foods instead.

For the record, I haven't spent a penny at Whole Foods and I don't see any reason why I would. Its glass wall, extending the entire length of the block, prevents any street life from gathering. The place is an affront to any vision of urban improvement, urban life, urban culture, urban activity, urban taste.

Greatest city in the world? You've got to be kidding. There are dozens of cities in newly industrialized, developing countries all over the world that do the oppressive glass wall just as well or better. New York is becoming just a cold Singapore with chewing gum freckles.

Years ago, Jane Jacobs explained to us what was wrong with modernism: communities need street-life, storefronts, stoops. Community is folks hanging out in their neighborhood. That's what stoops, storefronts and street-life give you -- community.

Yuppies from the suburbs haven't got a clue what a neighborhood community is, never having experienced one outside the window of their SUV. But here they come, imposing the suburban mall on the one place in the world where the cure for mall-aise grows indigenously. Like the rain forest, once you raze the urban neighborhood you lose all the unique species of urban character. And once you replace it with glass and steel, you can't grow it back again. Instead of great corned beef and kielbasa you get banks that smell like stale disinfectant. Stomach that with your Starbucks.

The holidays afford us reflection on the past and a moment looking toward the future -- a briefly hopeful moment, before that future is upon us and we turn again to mourning. Why can't we take that moment to renew our utopian dreams and envision the kind of city we'd like New York to be?

The future doesn't have to be just for Misrahi. It can be about us and for us.

A joyful holiday to you and yours,

--R

Monday, November 12, 2007

Sign the letter on the Bowery

I've got about ninety signatures and counting. To sign, just send me your name and zip code. I'll attach the signature when I print out to send it to the elected officials. My e-mail:
robCUNY@gmail.com


November 1, 2007

To the Honorable Borough President Stringer, State Senator Connor, State Assembly Speaker Silver and Assemblymembers Glick and Kavanagh and City Councilmembers Gerson and Mendez,

The Department of City Planning has removed the Bowery from the Lower East Side rezoning plan, exposing the Bowery to out-of-scale hotel development. If the current LES rezoning is approved, prohibiting large-scale development to the east of the Bowery, the pressure to develop hotels on the Bowery will be irresistible. Such upscale development extending south to Canal Street will also transform Chinatown beyond recognition.

New York is losing its ethnic, historic neighborhoods to overdevelopment and gentrification. Chinatown and the Bowery are still lined with many of New York's unique and historically significant structures. The area is thriving, busy, socially and economically successful, full of lively, commercial and residential street life and commercial activity that serves local low-income residents among human-scale mixed-use structures. These low-income neighborhoods are safe, viable, vibrant and community-oriented. They do not need gentrification or development and they will not benefit by gentrification or development.

Rather, overdevelopment will eliminate the street life, the small commercial operations and the local community orientation. Chain stores and commercial and residential displacement follow upscale development. Landlord harassment, already on the rise in the Lower East Side and East Village, will spread throughout the rest of Community District 3. Local businesses and residents will be driven out. Upscale nightlife will replace ethnic eateries. The unique character of Chinatown will be lost.

Is this City Planning's intent for the Bowery and Chinatown?

If this is the City's plan, then all New Yorkers deserve to know it.

Will you ask the city administration and DCP to announce publicly their plans for the Bowery and Chinatown? Will you ask DCP and the Mayor:

1. Does the City intend the Bowery to be lined with out-of-scale hotels?

2. If the City does not intend the Bowery to be lined with out-of-scale hotels, what immediate action will the City take to avert hotel development along the Bowery?

3. Will DCP include the Bowery in the current LES/EV rezoning to save the Bowery from destruction?

The people of this city urgently need to know if their government intends to rob them of their history, of their ethnic variety, of their favorite neighborhoods and of the character and beauty of their city, to replace these with revenue-generating glass-and-steel anonymity, banks, Duane Reades and chain stores, devoid of community, of street life, of human interaction, of stability, of community commitment, of any character that could be called New York's.

Respectfully,

(zip code)
Alice Abell 10002
Alyssa Adams 10009
Teri Ananda 10003
Deanna Anderson 10012
James Battaglia 10128
Martin Brown 10009
Gwendolyn Bucci 10012
Brent Buell 10012
Keefe Butler 10002
Ed Cahill 10009
Elizabeth Capelle 10011
Barbara Caporale 10009
Janice Cline 10012
Carol Conway 10012
Ellin Crane 10009
Eve Cusson 10009
Martha Danziger 10003
Wendy Davidson 10003
Philip DePaolo 11211
Lou Dembrow LES Girls Club 10003
Udo Drescher 10009
Susannah Driver 10280
Nancy English 10012
Eric Ferrara 10003
Zeke Finkelstein 10009
Martha Fishkin 10009
Eden Fromberg 10009
Meghan Gille 10009
Christabel Gough 10014
Frances Goldin 10003
Mark Hatalak 10003
Rob Hollander 10009
Joseph Iberti 10003
Elissa Iberti 10003
Rafael A. Jaquez 10009
Sarah Johnson 10009
Zella Jones 10012
Virginia Kaycoff 10003
Weiwen Ke 10003
Susan Ko 10002
Bill Koehnlein 10003
Diana Lakis
Ronald Latigano 10009
Marilyn Leong 10002
Linda Levit 10012
Adriana Lopez 10003
Iris Lopez 10009
Jennifer Lynch 10009
Don MacPherson 10013
William Manfredi 10012
Michael Mauriel 10003
Marilyn Mccall 10002
John McDermott 10002
Matt Metzgar 10009
Louise Millmann 10003
Maria Muentes 10002
David Mulkins 10003
Cate Nailor 10009
MaryBeth O'Hara 10009
Michele O'Neal 10009
Bob Ortiz 10003
Tom Ostoyich 10009
Gilda Pervin 10013
Kenny Petricig 10009
Daniel Peckham 10011
Anthony Piantieri 10003
Marie-Claire Picher 10003
Don Pollock 10009
Kathryn Posin 10012
Gayle Raskin 10009
Quinn Raymond 10003
Ephraim Rosenbaum 10002
Felice Rosser 10009
Elizabeth Ruf 10009
Elissa Sampson 10009
John Schmerling 10012
Roberto Serrini 10003
Monte P. Schapiro 10009
Joelle Shefts 10012
David Sheldon 10025
Bonnie Sue Stein 10003
Dr. Harlan and Rima Strauss 10002
Dean Clarke Taylor 10003
Ed Torres 10009
Michelle Vergara 10003
George Wachtel 10012
Max Weissberg 10002
Sue Williams 10012
Katharine B. Wolpe 10003
Philip Van Aver 10009

Tuesday, July 31, 2007

Landmarks, repairs and the Tenement Museum

There's been a lot of hand-wringing about this Historic District for Orchard and Ludlow, from east Allen to west Essex.

The hand-wringing is not about the project itself, but about its initiator, the Tenement Museum. Several years ago, in an effort to acquire the building next door, the Museum tried to use eminent domain (!!) to evict everyone from it.

That's not easy to forget. People are reluctant to support anything initiated by the Tenement Museum for the sake of that memory and its lesson. But this landmarking project is a good one that benefits residents and the community at large, not just the Museum.

All the opposition I heard to the Historical District project has come from property owners. Well, of course -- their properties lose value if they can't sell them to developers to demolish and build skyscraper hotels. Personally, I don't think the right to make a huge profit by demolishing history and putting tenants at risk deserves protection. If they were good landlords all those years before this real-estate surge, I'm sure they can continue to be good landlords without it now -- especially now, when there are so many new market-rate tenants paying and arm and a leg to live in their buildings. Two arms and two legs if you count their roommates. I can't imagine that any landlords in the LES are hurting.

Residents don't lose anything in this deal. In fact, I think they will come out ahead, not having to deal with landlords and developers trying to squeeze them, but just with landlords. The only repairs that will be more expensive will be external repairs. How often do you complain about the pointing of your exterior brick? I never have. Most of my complaints are about heat, hot water and plumbing. These will not be affected by Historic District status. From the Landmarks Preservation Commission:

"You do not need a permit from the Landmarks Commission to perform ordinary repairs or maintenance chores. For example, you do not need a permit to replace broken window glass, repaint a building exterior to match the existing color, or caulk around windows and doors. If you have any doubt about whether a permit is needed, call the Commission at (212) 669-7817."
http://www.nyc.gov/html/lpc/html/faqs/faq_permit.shtml

Monday, July 23, 2007

Good things at the Community Board

Two important items coming up at the July 24 Community Board meeting:
1) Historic Landmark District for Allen, Orchard, Ludlow & Essex
2) rewording the liquor license moratorium resolutions

1) The CB will vote to aprove the Lower East Side Preservation Coalition's proposal to create a Historic Landmark District of a substantial portion of the LES from Houston down to Division, Allen east to Essex. The LESPC has done an excellent and comprehensive job putting it together: an important project every resident dedicated to LES preservation can support.

2) Over the last two years I and others have complained to the CB that the State Liquor Authority ignored our liquor license moratoria because the moratoria violate due process . Under the old moratorium resolutions, the CB would deny, without a hearing, any liquor license in a moratorium area: the bar owner would not have to appear before the CB but go straight to the SLA.

Everyone deserves a fair hearing under the law, even a bar, otherwise there can be no rule of law. Without due process, CB3 pro forma denials were considered by the SLA to be improper abuses of authority, abrogations of legal charge and therefore meaningless grandstanding.

In every case in which they threaten to undermine residential, cultural or commercial life, liquor licenses should be denied by the CB -- but after a hearing, not without a hearing. The hearing establishes through due process under the law the specific facts that the SLA must consider. The new moratorium wording will require a due process hearing in which the bar owner will have to show how the liquor license will improve and not harm the neighborhood.

If you can attend the CB full board meeting, please express your support for these two items. You may sign up 6:15-6:30 to speak for two minutes at the public session which precedes the voting session.

CB3 full board meeting
Middle School 131
100 Hester Street
(Eldridge & Forsythe )
July 24, 6:15pm